DRAGON WELDING – This Maintenant / Instrumental

With ‘Up & Away’, Dragon Welding released one of 2025’s greatest singles. The track’s mechanical heart combined with a repetitious hook created something so insanely catchy, it became impossible to resist. It was certainly one of those tracks that stayed with the listener long after it ended, setting up great hopes for its parent album ‘The Naughty Step’.

In itself, ‘The Naughty Step’ brought lots to enjoy. Although the bulk of the record wasn’t anywhere near as instant as ‘Up & Away’, its best material had a little more of a commercial edge than previous Dragon Welding works, taking the synth based sounds of one of the UK’s most cult bands into more melodic places.

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TOMBSTONES IN THEIR EYES – You Don’t Have To Love Me / Everybody’s Dead

With just a few weeks left of 2025, US deep psych/shoegaze band Tombstones In Their Eyes released not only one of the best albums of the year, but one of the best of their career. Some of the material felt a little bit samey if heard in one sitting, but the band’s command of a riff and ability to weave a great atmosphere allowed the material on ‘Under Dark Skies’ to work brilliantly when approached in the right mood.

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Watch: False Thoughts share new video for ‘I’ve Got Friends’

Over the past couple of years, it’s become the norm for most metalcore bands to share a heavy sound driven by relentless pneumatic rhythms, with clear influence from bands like Killswitch Engage and Crystal Lake.

With that in mind, it’s actually quite refreshing to hear False Thoughts adopting far more of a traditional hardcore sound – something far more in line with the hardcore punks of the 90s like Strife and Earth Crisis. Their current single ‘I’ve Got Friends’ clocks in at a little more than two minutes, but the band make more of an impact in that time than some manage in over twice the duration.

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THE REAL GONE SINGLES BAR #146

A rather spooky offering from veterans of the UK alternative scene, an epic but self-effacing narrative set against great orchestration, and an almost uncategorisable number splicing synths with a world music flair are just three things you can expect to find at the Singles Bar this time around. As we head further into 2026, the sheer variety of “single” recordings remains impressive, and perhaps ever more so now that we live in a world where underground artists are more likely to present digital singles and EP releases over an old school album format. To call this selection a mixed bag would certainly be an understatement but, as always, we hope you find something new to enjoy…

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Watch: Modesty Blaise share video for ‘Coral Mountain’ ahead of deluxe reissue

A quarter of a century ago, Modesty Blaise released a self titled album full of retro pop gems that took cues from various touchstones from the past, including The Beach Boys and The Zombies, and recycled them with love. A second record, ‘Melancholia’ improved on the formula, and at its best, the record flaunted a huge budget and equally big hooks. In terms of that kind of musical pilfering, Jellyfish became absolutely worshipped in the power pop community, and by comparison, Modesty Blaise have sort of become also-rans. That deserves to change.

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