JOSALEIGH POLLETT – If I Let It Quiet

Josaleigh Pollett’s ‘Radio Player’ is a rather special recording. Its opening sounds throw the listener into a world of dark synthwave, suggesting something rich in atmosphere. It then takes a somewhat dramatic twist when Josaleigh adds a vocal that, at first, suggests they have a love of classic dream pop, before an increase in volume allows their voice to reach for something much bigger. Hitting a couple of soaring notes, this presents a talent with a huge, natural tone, drawing the listener further into a world where Pollett’s love of almost cinematic sounds comes into its own. It’s then all change again, when a selection of programmed beats add a hard rhythm, calling back to the late 80s and a time of sharp sounding analogue synths. This contrasts brilliantly with a very human tone, but also adds a feeling of directness beneath a lyric exploring a world where the protagonist falls asleep in the glow of a TV signal, almost as if placing themselves the world of the classic ‘Poltergeist’.

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JULIA GREENBERG – Born Sentimental

There’s an old soul lurking within ‘Leaves’ by Julia Greenberg. The acoustic guitar lines and upright bass evoke elements of Joni Mitchell’s folk-jazz crossover sound circa 1974 at first, but the feeling of hearing something classic runs far deeper than that. An unpolished vocal owes more to Marianne Faithfull and her unapologically confessional style, and the presence of a tasteful accordion gives the feeling of something distinctly European. With a lack of percussion, the listener is constantly drawn towards the vocal and the lyric, shared with a perfect confidence, but despite a wordy approach, ‘Leaves’ is also a track that flaunts a simple and catchy hook, making it feel perfectly rounded. Working its charms from the very first listen, this is a must-hear for lovers of singer-songwriter fare, and by flaunting a defiantly vintage quality, it gives Greenberg’s ‘Born Sentimental’ EP a very strong centrepiece.

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Listen: Rain Corner shares fantastic new track ‘Like That’

Rain Corner isn’t a band. Nor is the artist beholden to one particular genre. This new act for 2026 has released a couple of impressive singles in ‘Dead End’ – a Travis-esque pop rocker that showcases a wonderfully light vocal – and ‘Tokyo’, taking singer songwriter Ryan Connor’s work a little further towards an atmosphere laden dream pop sound – something very fashionable in indie circles at the time of release.

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Real Gone Presents: A Boston Round-Up, July 2026

There’s a lot of music pouring out of Boston and its suburbs in the summer of 2026. So much, in fact, that we’re making a return visit in record time! Previous Round Ups have thrown a spotlight onto a wealth of underground acts and independent musicians, and this visit is no exception. You’ll recognise a few familiar names, but hopefully discover a few new ones too, as we dip into a selection of tunes that takes in alternative rock, power pop, garage rock, alt country and singer songwriter’s wares. As always, we hope you enjoy what you hear…

Please also consider supporting us by buying a virtual coffee at the following link. The cost of every cuppa goes towards the running costs and hosting fees for Real Gone, and your donation will help us stay online for another year. We’d really appreciate that right now! Thanks x  https://ko-fi.com/realgonerocks

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THE REAL GONE SINGLES BAR #165

Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. This time out, we bring you an unheard offering from the most cult of shoegaze bands, a track with post punk leanings, a couple of tunes with a huge 90s influence, something with a guest spot from Elvis Costello…and more besides. As always, we hope you find something new to enjoy!

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