DONNIE VIE – Beautiful Things

For power pop fans, singer songwriter Donnie Vie will need no introduction. With Enuff Z’Nuff, he lent his vocal and songwriting chops to a string of great albums, released at a time when a blend of Cheap Trick obsessions crossed with a 60s inspired, flower power cool was decidedly uncool. Their first three albums (‘Enuff Z’Nuff’, ‘Strength’ and ‘Animals With Human Intelligence’) are cast iron classics which still play brilliantly, decades after the fact. During the second half of the nineties and beyond, the band’s tendency to take a cut ‘n’ paste approach to making albums could be frustrating, but for the more patient fan, there was always a little more gold to be mined, and an on-form Vie continued to show his very natural melodic gifts on tracks like ‘There Goes My Heart’, ‘Believe In Love’ and ‘What Can I Do?’

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Listen: My Mom Is Here share brilliant new version of Blind Faith’s ‘Can’t Find My Way Home’

There have been some great versions of the Steve Winwood/Eric Clapton penned ‘Can’t Find My Way Home’ over the years, not least of all Clapton’s own live version from 1975 with Yvonne Elliman and Joe Cocker’s 1991 recording, well suited to his aching vocal style.

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THE NORTHERN LINE – The Northern Line EP

For a band rooted within the northeastern US, The Northern Line adopt a very British sound on parts of their debut EP. The crashy opening of ‘Lightning Strikes’ makes no secret of a love of The Who, and occasionally the number slips into a riff or two that’s reminiscent of early Dodgy. It isn’t a straight up homage to old mod or mod adjacent Britpop sounds, though: the swirling organs and crashing beats that run through the centre of this energised number carry more than a faint echo of old Northern Soul bangers, and a reverbed vocal leans a little more into a garage rock sound. If you’re going to borrow, it might as well be from good stock, of course, and what The Northern Line manage with their spoils here has a genuine spark throughout. With a slight echo applied, the lead vocal takes on a retro sound that is genuinely great, but is soon outshone by a world of lead guitar courtesy of Pete Kitchener, a man clearly able to redress a couple of Dave Davies inspired runs with the power of 90s Britpop to give the track an extra feeling of gusto. It’s all very familiar to say the least, but what this menagerie of sound represents feels far greater than the actual outcome. This is the sound of a band with a lot of energy and a band who are able to recycle bits of the past in a way that feels genuinely exciting.

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