At the end of the first quarter of 2026, singer songwriter Kyle Boswell released a great single. ‘The Way It’s Always Been’ introduced many to a performer with a striking voice, but also someone capable of sharing a great melody. That track’s classic pop rock stance also showcased some fine guitar work and thoughtful lyrics, creating a small package that suggested Kyle would share other enjoyable songs in the near future.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past couple of weeks. This time out, we bring you a great singer songwriter, some post punk riffs with a gothy twist, a very entertaining piece of retro pop…and more besides. As always, we hope you find something new to enjoy!
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Love Ghost’s ‘Revolution Evolution’ is a pleasingly chunky affair. The basis of the arrangement has a common root with some of the more industrial sounds from the Metropolis label, but the band uses that heavy, mechanical sound to build something more interesting. In places, a heavy, grinding riff touches upon a Rob Zombie-ish intensity, which coupled with a vocal that sounds like a distant relation of Marilyn Manson, creates something that lovers of 90s sounds will love. The real interest here, though, comes from the track’s quieter elements, in particular, a verse that couples a drawling, almost sneery vocal with a twangy guitar tone that owes more to a cinematic style. With a few of these elements heavily treated to bring a darker mood and with the melodies occasionally underscored by sirens, this creates a brilliantly unsettling listen and a perfect way to kick off the ‘Anarchy and Ashes’ EP, the LA-based act’s seventh release.
If you’ve been keeping an ear on the metal underground over the past couple of years, you might have encountered Welsh band Celavi. They’ve issued some brilliant singles so far in 2026: ‘Sori’, in particular, did a superb job in giving an instant hit of heaviness via a pleasing nu-metal and industrial mix, with its dirty riffs offset by confident and clean vocals, while the much spikier ‘Morgana’ showed off a brilliant rhythm with a world of pneumatic drums and throbbing basslines, without detracting from the band’s love of huge guitar sounds.
At the point where the UK summer kicked in, Kelowna released an excellent single, ‘Insanity’. A track that introduced the Scottish rock band to many, it managed to mix different guitar driven styles, from melodic hard rock to stoner grooves, in such a way that it made this still new band sound rather grand, but without any feeling of grandiosity.