Real Gone Presents: A Boston Round-Up, April 2026

It’s been a while since we visited Boston and its suburbs, but there’s been a lot of music pouring out of the neighbourhood in the early part of 2026. This time around, you’ll be reacquainted with a few familiar performers, but iwith the help of some fine Americana sounds and even something a little bluesy alongside the expected bar-room rock vibes. As always, we hope you find something new to enjoy. Better still, we hope you find the time spent digging through these tracks not only pleasurable, but also a lead towards discovering other great sounds.

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Listen: Featured At Real Gone – January-March 2026

It’s amazing how quickly the first quarter of 2026 has flown by. However, during those weeks, we’ve been sent an absolute avalanche of new music. Although, naturally, there hasn’t been time to review all of it, we’ve covered a lot of ground already this year.

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THE REAL GONE SINGLES BAR #150

With a number that blends a grungy heart with a more contemporary melodic hook, a throwback to post-grunge fused with Euro melodic metal, and a perfect slice of post punk, this visit to the Singles Bar is rather guitar based. That said, with a French singer songwriter applying a light touch, an absolutely fierce alt-pop number and a danceable piece of deep psych, it isn’t without variety. Then, in terms of massive curveballs, there’s even a well played salsa jam… As we wave goodbye to the first quarter of 2026, the singles keep coming…and as always, we hope you find something new to enjoy!

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DAS KAPITANS – Elvytys EP

Das Kapitans kick off their 2026 EP ‘Elvytys’ with one of their sharpest tracks to date. Allowing no time for the listener to become acclimatised, ‘This T-Shirt Fights Sweatshops’ hits with a performance that couples a fast tempo with a hard edged lead guitar, sharing something that sounds a little like a DIY version of an old Bloc Party track. For the fan, it creates immediate thrill; for anyone previously unfamiliar with this UK indie-punk act, it offers something that should more than pique interest. The verse’s angular approach shows off a very tight quartet, with Ollie Prescott’s mechanical drumming pushing forward with an effectively mechanical edge, while Stephen Potter’s guitar adds a really busy post punk tone. The main hook offers a superb contrast, tapping into Das Kap’s shoutier aesthetic, allowing a booming voice to attack with the same huge presence felt on the chorus of the previous EP’s highlight ‘Just A Dream’. In short, this is peak Das Kapitans: a song that deserves pride of place at the lead track on a release, but also the kind of number that runs the risk of making everything else come up short.

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Watch: Wooden Overcoat share new video for ‘Home’

Born during the 2020 global pandemic, Wooden Overcoat began as a project for multi-instrumentalist Brant Hajek marking a return to recording following the demise of Portland based band The Tamed West. The project’s blend of retro indie and psychedelic tones is a natural fit for what began as a one-man vehicle, but the many layers that make up the debut single ‘Home’ never suggest anything that’s been recorded on the quick and the cheap.

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