Since their formation, Young Martyrs have been a reliable source for great singles. In particular, ‘Everyone Else Disappears’ presented a great radio friendly pop rock sound that provided an easy entry point into the band’s catalogue with its very melodic, chorus driven approach, while the Americana themed ‘Never Gave You The Blues’ offered a more mature angle in terms of songwriting, and the more recent ‘Is There Anybody Out There?’ flaunted a more epic sound with its use of contrasting power chords and harmony driven vocals. All three of these recordings shared elements which could’ve been the work of three different bands, but in their own way, each showcased Young Martyrs as an act to keep an ear for in future.
THE REAL GONE SINGLES BAR #155
Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting tracks that have landed in our inbox over the past few weeks. This time out, we bring you a really noisy piece of retro indie rock with a shoegaze overtone, a collaboration that serves up some late 60s tones doused with a 90s coolness, a pleasingly mellow track dominated by an aching vocal, and more besides… As always, we hope you find something new to enjoy!
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BLAZONER – Sonic Chambers EP
A well curated covers release can often be fun, but such things rarely come with such a scattershot selection of influences as Blazoner’s ‘Sonic Chambers’. An EP that started out life purely by accident actually plays like a short CV of the US rock band’s chief interests, taking in material by artists as diverse as The Rolling Stones and (the) Melvins.
IAIN MATTHEWS – Rhythm Of The West: The Columbia Years 1975-1977
In 1970, Iain Matthews formed band Matthews Southern Comfort, a top notch country rock band which would become his main musical vehicle following his departure from Fairport Convention. Formed essentially as a vehicle to promote Iain’s 1969 solo album of the same name while out on the road, they’ll always be remembered for their UK number 1 hit with a cover of Joni Mitchell’s ‘Woodstock’ – a recording very much modelled upon the Crosby, Stills, Nash & Young recording – but the band recorded a lot of strong material across two more rather fine albums. Over the next couple of years, Matthews barely rested; by the end of 1972, he’d recorded and toured with country rock band Plainsong and also recorded a brilliant solo album,‘If You Saw Thro’ My Eyes’. That would ultimately be the springboard for a run of great solo records over the next decade.
By the mid 70s, Matthews had already amassed an impressive body of work. His albums ‘Tigers Will Survive’ (1972), the marvellous ‘Valley Hi’ (1973), ‘Journeys From Gospel Oak’ and ‘Some Days You Eat The Bear’ (both released in 1974) shared a typical mix of folk, country and pop-rock tunes mixing covers with original material, but 1975’s ‘Go For Broke’ found Iain taking a dip into slightly more commercial waters. …And it’s with that album – a slightly overlooked entry in the Matthews canon – that ‘Rhythm of The West: The Columbia Years 1975-1977’ begins its look back at another prolific period for the singer-songwriter.
GATHER THE LOST – Silver Lining
Gather The Lost first started making waves online in 2022 with their digital single ‘Alone’, released to streaming services not long after the band first formed. Although the song wasn’t particularly striking on a musical level – a barrage of jangling chords on the verse and an overdriven riff on the chorus shared a huge love of 90s alternative sounds – it was clear that in Carolyn Dunne, they had a very distinctive vocalist. Throughout the four minute number, she used her voice as a powerful tool, shifting from dark croon to full cry, capable of huge volume, but also capable of sharing a truly emotive tone that didn’t quite sound like anyone else.