Gurt’s ‘Satan, etc.’ release from 2024 showcased a band who were unafraid of coupling absolutely devastating riffs with a sense of fun. Unlike some of their more frivolous forebears, however, the bulk of Gurt’s best material didn’t rely on being a novelty – it could be enjoyed purely on face value, and through the greatness of its arrangements. Two years on, the self-proclaimed “party doom” outfit’s ‘Survival of The Shittest’ EP works a similar trick. A huge sense of force can be heard driving almost every riff – heavy enough to crush skulls, yet still accessible in a way that might attract the less committed doom fan.
Listen: Xanimal share new track ‘The Awakening’
Over the past year or two, Claude McCan has been busy. In addition to releasing several singles and an album under his Claude9 moniker, he’s also gigged with Bowie tribute Supercreeps, and also worked with lounge act 35mm.
Seemingly a man who never rests, he’s now back with Xanimal, a band that blends synth elements, ambient dance sounds and a pinch of a dreampop aesthetic to create something with a huge 90s vibe.
THE REAL GONE SINGLES BAR #158
Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting tracks to land in our inbox over the past few weeks. This selection takes in a perfect piece of soul, something from Australia with a bluesy leaning, another number from some UK ska veterans, a superb cover tune…and more besides. As always, we hope you find something new to enjoy!
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KILL THE SILENCE – Resolve
In terms of blending metal subgenres, Kill The Silence’s ‘The Final Word’ makes a bold statement. The track’s very heavy intro fuses the sheer force of groove metal with the complexity of prog, resulting in something that appears to pull in different directions, yet sounds incredibly tight. It takes all of a few seconds for guitarists Sam Rickerby and Daniel Ridding to make an impact, and the huge and dirty tones recall great work by Chimp Spanner, as well as the slightly more commercial sounding later works by Lamb of God, before introducing a classic sounding hardcore vocal; the kind that would normally sit with music closer to a hardcore punk sound. By the time the audience gets to grips with that, Kill The Silence switch gears to demonstrate more of a melodic streak, taking things from a techy/post-hardcore stance further into a world of sophisticated emo tones, allowing plenty of space for a genuinely powerful vocal from Jason Walsh. The way he uses his voice to soar, even when the rest of the band are tackling some rather sharp edges, sets up a superb contrast, and it’s that contrast that makes ‘The Final Word’ not just interesting, but genuinely thrilling.
BRIAN ROBERTSON – Diamonds And Dirt / The Brian Robertson Album
For the classic rock fan, Brian Robertson is a man who’ll need no introduction. His years serving as one of Thin Lizzy’s guitarists has already earned him legendary status, and his short lived tenure with Motörhead saw him adding his considerable talents to 1983’s ‘Another Perfect Day’, one of the band’s most underrated discs. Then, there’s his own band, Wild Horses, a hard rock powerhouse whose rather scant output has been in danger of being overlooked since the 80s. Thankfully, the Cherry Red label set about getting the Wild Horses recordings back on the radars of keen music fans in 2025 with the help of a lovingly curated six disc set, bringing together the band’s complete output. This wasn’t really in the hope of having a massive seller on their hands – more a case of “public service”, and the same can be said for their 2026 expanded 2CD reissue of Robertson’s sole solo album ‘Diamonds & Dirt’, originally issued in 2011.